surprisebitch:

spaghetticunt:

sign me right the fuck up

not with that language! your body is a temple. according to God’s Word, profanity makes it unclean. ask for forgiveness, repent for your sins then sign up

surprisebitch:

spaghetticunt:

sign me right the fuck up

not with that language! your body is a temple. according to God’s Word, profanity makes it unclean. ask for forgiveness, repent for your sins then sign up

(Source: billyrayofficial)

artichokeonthisdick:

OH MY GOD

artichokeonthisdick:

OH MY GOD

koalatea:

i hate when ppl make fun of me for trying 2 be positive and spread good vibes like fuck your bitter ass i spent a good portion of my short life being bitter and angry and suicidal if i wanna shoot sunshine out of my ass then i fuckin will 

Why did I hope we would be happy abroad? A change of environment is that traditional fallacy upon which doomed loves, and lungs, rely.

spookycamilleon:

okay but seriously

when i want a hug what i really want is a Ghibli hug.

because i mean-

image

Ghibli

image

Hugs

image

Look

image

Like

image

The 

image

Greatest

image

Hugs

image

in the WORld

(Source: coolcamilleon)

And how hard is it to land even a minimum-wage job? This year, the Ivy League college admissions acceptance rate was 8.9%. Last year, when Walmart opened its first store in Washington, D.C., there were more than 23,000 applications for 600 jobs, which resulted in an acceptance rate of 2.6%, making the big box store about twice as selective as Harvard and five times as choosy as Cornell. Telling unemployed people to get off their couches (or out of the cars they live in or the shelters where they sleep) and get a job makes as much sense as telling them to go study at Harvard.

alisonannestitch:

brodeurbear:

Klimt progress

Looks absolutely beautiful so far—can’t wait to see more as it progresses! 

slaughterhouse90210:

“They spoke very little of their mutual feeling; pretty phrases and warm expressions being probably unnecessary between such tried friends.” ― Thomas Hardy, Far from the Madding Crowd

slaughterhouse90210:

“They spoke very little of their mutual feeling; pretty phrases and warm expressions being probably unnecessary between such tried friends.”
― Thomas Hardy,
Far from the Madding Crowd

fer1972:

Illustrations by Slawomir Chrystow

nezua:

5centsapound:

Disarming Design from Palestine


Disarming Design from Palestine is an inclusive design label that presents functional products from Palestine, that provide an alternative narrative from what you might usually find in the high street. The collection includes objects such as hourglasses that use cement from the separation wall, a dress made out of one keffiyeh, embroidered car decorations, scarfs depicting landscapes, olive leaves as earrings and an impossible chess game with water tanks and watch towers. The growing collection of products is presented on-line and through a traveling exhibition.*

As a collection it aims to represent Palestinian culture in its current reality and reflect upon the function of art in situations of conflict.

The goods are developed, designed and produced by contemporary designers, artists and students in collaboration with local artisans and producers.

During several ‘create-shops’ they engage in an enriching design dialogue with small emerging businesses and international colleagues. The project aims to catalyze the development of design as a discourse in Palestine.

Deep.

asylum-art:

Photography by Prue Stent

Prue Stent / Facebook / Worbz.com

Melbourne based, RMIT photography student Prue Stent's work is spontaneous, yet intended. It is soft lensed yet bold coloured. It is delicate, and vulnerable yet approaches issues with a strong sense of opinion. It is striking, enticing, and her signature is undeniable.

With her work often exploring the relationship between femininity and nature, human form and landscape, her works often appear as one thing but inherit several meanings. Although her images regularly feature pastel colours, interesting shapes and forms, the intricacy of the photo’s subject often appears delicate. She orientates her natural backdrops–with human and object subjects– into a translation of the almost symbiotic relationship between them.

With talent like this Stent it made for a future of exhibition and excellence.

fer1972:

Illustrations by Slawomir Chrystow

colin-vian:

 Danny Galieote, The Great Escape, oil on canvas, 48 x 48

colin-vian:

 Danny Galieote, The Great Escape, oil on canvas, 48 x 48